ال التجربة النقدية العربية بين نسق الحداثة و سياق العولمة

Abstract

In the major developments and transformations witnessed by Western literary criticism in Europe and America through its various schools and tendencies, modern and contemporary Arab criticism has remained oscillating between this and that, following diverse and sometimes identical paths, being drawn to a variety of reference backgrounds that blend the origin derived from its national, intellectual, religious, and social particularities, or being lost, accommodating an incoming foreign influence imposed by the current circumstances in the form of external and ongoing pressures that attempt, in turn, to transcend its present and aspire to an unclear future vision. Ultimately, we are compelled to view contemporary Arab literary criticism within the context of cultural globalization as that formal artistic process that seeks to approach Arab literary creativity according to the social, cultural, and ideological influences surrounding the creator, and according to an immediate and future perspective that aims to track the transformations of this criticism and its intellectual tendencies, as well as its role in shaping positive, effective intellectual, cultural, and creative awareness that leads to changing the intellectual situation of the Arab creator.